Moral Values and Ethical Consciousness in Haryanvi Svangs: A Folkloristic Perspective

Main Article Content

Manish
Reena
Kamal

Abstract

Svang of Haryana is considered to be among the best traditions of folk theatre in North India, serving not only as entertainment but also as a means of propagating moral and ethical values from one generation to another. Using tales of mythology, history, folklore, and contemporary social affairs, Svang conveys values like truthfulness, justice, sympathy, honesty, duty, sacrifice, respect for gender, harmony, and social responsibility. Being a performance, it makes people accept these values by way of dialogue, music, satire, and feeling emotions, not being taught them formally. This research aims to study the moral and ethical aspects contained in Haryanvi Svang on the basis of folklore. It will be focused on the ways of preserving norms of social behaviour with the help of the oral tradition. Moreover, this research focuses on the contribution made by famous Svang artists in the formation of public morality and the significance of these folk performances in modernising society.


 


Keywords: , , , , , , , 

Article Details

How to Cite
Manish, M., Reena, R., & Kamal, K. (2026). Moral Values and Ethical Consciousness in Haryanvi Svangs: A Folkloristic Perspective. CINEFORUM, 66(S5), 955–961. https://doi.org/10.66669/cineforum.v66iS5.2038
Section
Original Articles

References

Bascom, William R. The Forms of Folklore: Prose Narratives. University of California Press, 1965.

Blackburn, Stuart H. Oral Epics in India. University of California Press, 1989.

Chahal Ramphal, Bajje Bhagat Rachnawali. Haryana Sahitya Akademi, 2014.

Dorson, Richard M. Folklore and Folklife: An Introduction. University of Chicago Press, 1972.

Dundes, Alan. Interpreting Folklore. Indiana University Press, 1980.

Dundes, Alan. The Study of Folklore. Prentice Hall, 1965.

Eliade, Mircea. Myth and Reality. Harper & Row, 1963.

Elwin, Verrier. Folk Songs of India. Oxford University Press, 1958.

Ghurye, G. S. Indian Sadhus. Popular Prakashan, 1964.

Handoo, Jawaharlal. Folklore: An Introduction. Central Institute of Indian Languages, 1989.

Kapur, Kamlesh. Folk Traditions of India. National Book Trust, 2007.

Kosambi, D. D. Myth and Reality. Popular Prakashan, 1962.

Leach, Maria. Standard Dictionary of Folklore, Mythology and Legend. Harper & Row, 1972.

Meenakshi. Haryana Lok Sahitya. Haryana Granth Academy, 2015.

Narayan, Kirin. Storytellers, Saints and Scoundrels. Motilal Banarsidass, 1992.

Ramanujan, A. K. Folktales from India. Penguin Books, 1991.

Roy, Shyama Charan Dube. Indian Society. National Book Trust, 1990.

Sen, Dinesh Chandra. The Folk Literature of Bengal. University of Calcutta, 1920.

Sharma Puranchand, Pandit. Lakhmi Chand Granthavali. Haryana Sahitya Akademi, 2012.

Sharma, Purnima. Haryana ki Lok Natya Parampara. Haryana Sahitya Akademi, 2018.

Sharma, Raghubir Singh. Haryana ka Lok Sahitya. Haryana Granth Academy, 2016.

Singh, K. S. People of India. Anthropological Survey of India, 1992.

Thompson, Stith. The Folktale. University of California Press, 1977.

Vansina, Jan. Oral Tradition as History. University of Wisconsin Press, 1985.

William R. Bascom, “Four Functions of Folklore,” The Journal of American Folklore, Vol. 67, No. 266, 1954.

Yadava, Yogendra. Lok Sahitya aur Sanskriti. Rajkamal Prakashan, 2004.

Haryana Sahitya Akademi. Haryanvi Lok Sahitya Sangrah. Haryana Sahitya Akademi, 2021.

Haryana Kala Parishad. Haryana ki Lok Natya Parampara. Haryana Kala Parishad, 2020.

Ministry of Culture, Government of India. Intangible Cultural Heritage of India. Ministry of Culture, 2021.

Satyarthi, Devendra. Lok Yatra. Rajpal & Sons, 1951.

Tiwari, Kapil. Lok Parampara aur Sanskriti. Adivasi Lok Kala Parishad, 2011.

UNESCO. Convention for the Safeguarding of the Intangible Cultural Heritage. UNESCO, 2003.

Ministry of Culture, Government of India. Azadi Ka Amrit Mahotsav: Cultural Heritage Documentation. Ministry of Culture, 2022